Reinterpretation of Nature explores how natural forms and materials are translated, transformed, and re-expressed in contemporary design and digital technology. The exhibition presents a series of works, including Bamboo Fusion, Ripple Screens, and Algorithmic Porosity, which explore the subtle intersections between tradition and innovation, materiality and computation. At its core, Reinterpretation of Nature responds to a simple yet profound question: How do we reconnect with nature in the digital age? Since ancient times, designers and artisans have drawn inspiration from mountains, rivers, plants, and trees. Bamboo, stone, wood, and earth are not merely materials for construction; they embody wisdom about resilience and adaptability. In an era profoundly shaped by digital technology, these familiar materials are beginning to take on new forms. They are no longer just traditional substances but are being translated into algorithms and code, transformed into computational models, and re-expressed through digital processes, revealing possibilities that transcend the binary division of "natural" and "artificial." The works showcased in this exhibition are precisely explorations of this regenerative logic: the bamboo structures are not nostalgic recreations of traditional craftsmanship but hybrid constructive experiments that resonate with the precision of the digital and the flexibility of bamboo; the ripples are not mere imitations of water but the translation of water's movement into the rhythm of space; and the porous geometries are not simply mimics of skeletal forms but reinterpretations of the logic behind life's structures. In this collection of works, nature is no longer a passive resource but a partner in design, collaborating with us to advance future imaginaries. The logic of nature is being rewritten, transforming into contemporary cultural practices that become forces of renewal and creation. The vision of this exhibition is sustainable—it is not merely about conservation but about reimagining the relationship between humans and the material world; it is creative—not imposing forms onto materials but uncovering their potential through dialogue and exchange; and it is technological—where technology is no longer a cold tool but a language of translation that enables us to communicate with the world in new ways. Reinterpretation of Nature invites us to imagine how future living and creativity may unfold. It envisions a new possibility where nature, technology, and human imagination intertwine, shaping a future ecology that is both grounded in reality and constantly expanding through the process of reinterpretation. Team from the School of Design, Xi'an Jiaotong-Liverpool University: Juan Carlos Dall'Asta, Teo Hidalgo Nacher, Leyuan Jiang, Jingyang Liu, Yang Song, Emanuela Corti, Ivan Parati.