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 展览 EXHIBITION

中国美术学院跨媒体艺术学院媒介展演系

Media Scenography Department, School of Intermedia Art, China Academy of Art

中国美术学院跨媒体艺术学院媒介展演系是由牟森于 2015 年创办。媒介展演系基于叙事工程,建构媒介透视。对应空间和时间,通过展示和演出,呈现展开与演化。空间和时间面向的创作品类为巨构和剧集。以产学研和产业链为手段,以跨媒介、跨学科、跨领域为方式,聚焦具体产业面向,强调媒介融合和领域打通,擅长整体构造的叙事序列。 跨媒介巨构《高密东北乡》是江苏大剧院原创话剧《红高粱家族》项目的有机部分。演出和展览,互为一体。江苏大剧院和中国美术学院跨媒体艺术学院联合出品制作,媒介展演系担纲创作。华语文学经典的视觉转换有多种可能性。演出之外,展览何为?《红高粱家族》是莫言老师的第一部长篇小说,是他虚构的文学共和国“高密东北乡”的重要版图。天空、土地、河流、道路。劳动、爱恨、牺牲、繁衍。色彩和气味。灾害变迁和年代更迭。莫言老师的“高密东北乡”,构建了一种独特的谱系。这种谱系是地域的,也是地理的,更是地质的。正如亚里士多德所言:“大自然不会徒劳地做任何事情。” 展览以《红高粱家族》剧本为文本,以“高密东北乡”为命名,以自然博物馆标本展柜为展示形态,以起源和谱系为框架,以人类学和地质学为理念,以呈现人类图景为出发点。标本是本次展览的核心理念。自然博物馆标本展柜,也称景箱。将《红高粱家族》中的场景和场面地质化、家族化。将“高密东北乡”的图景自然博物馆化、标本化。展览由二十个自然博物馆的标准“景箱”构成,描绘长篇小说《红高粱家族》中的二十个场景和场面。二十个场景和场面成群连片,呈现“高密东北乡”的标本式图景。 本展览由 2025 年国家社科基金艺术学重点项目《美术学科领域的艺科融合前沿研究》(25AF016)支持

The Department of Media Scenography at the School of Cross-Media Art, China Academy of Art was founded by Mou Sen in 2015. Based on narrative engineering, the department constructs media perspectives. Corresponding to space and time, it presents unfolding and evolution through exhibition and performance. The creative categories oriented toward space and time are megastructures and series. Through the integration of industry, academia, and research, as well as industrial chains, and by means of cross-media, cross-disciplinary, and cross-domain approaches, it focuses on specific industry orientations, emphasizes media convergence and domain integration, and excels in constructing comprehensive narrative sequences. The cross-media megastructure Gaomi Northeast Township is an integral part of the original stage play Red Sorghum Family project by Jiangsu Centre for the Performing Arts. Performance and exhibition are intertwined as one. Co-produced by Jiangsu Centre for the Performing Arts and the School of Cross-Media Art, China Academy of Art, the project is created by the Department of Media Scenography. There are multiple possibilities for the visual transformation of Chinese literary classics. Beyond performance, what role does exhibition play? Red Sorghum Family is the first full-length novel by Mo Yan and a significant territory of his fictional literary republic, “Gaomi Northeast Township.” Sky, land, rivers, and roads; labor, love and hatred, sacrifice, and reproduction; colors and scents; disasters, changes, and the passage of eras. Mo Yan’s “Gaomi Northeast Township” constructs a unique genealogy. This genealogy is regional, geographical, and even geological. As Aristotle said, “Nature does nothing in vain.” The exhibition takes the script of Red Sorghum Family as its text, names itself after “Gaomi Northeast Township,” adopts the display form of natural museum specimen cabinets, frames itself with origins and genealogy, embraces anthropology and geology as its concepts, and sets out to present a human panorama. The specimen serves as the core concept of this exhibition. Natural museum specimen cabinets, also known as dioramas, geologicalize and familialize the scenes and settings from Red Sorghum Family. They transform the landscape of “Gaomi Northeast Township” into a natural museum and specimens. The exhibition consists of twenty standard “dioramas” from natural history museums, depicting twenty scenes and settings from the novel Red Sorghum Family. These twenty scenes and settings connect to form a collective, presenting a specimen-like panorama of “Gaomi Northeast Township.” This exhibition is supported by the 2025 National Social Science Fund Art Key Project Frontier Research on the Integration of Arts and Sciences in the Field of Fine Arts (25AF016).

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